Week 8: Apply and Reflect

  
Vincent Van Gogh, The Sower (Sower at Sunset ), 1888 and Paul Signac, Place des Linces St.Tropez,1893 
Source                                                                             Source

“Good artists copy and great artists steal” a statement that came out of the mouth of great artist Pablo Picasso. But it is debated that Picasso may have stolen the quote from the poet T. S. Eliot. The idea of stealing art and putting into their own artwork can be traced back to Shakespeare.  Randal Barthes explains in his writing, “The Death of the Author” that words spoken or written are just words, yet how nothing is original.

Barthes says, “we know that a text is not a line of words releasing a single ‘theological’ meaning (the ‘message’ of the Author-God) but a multidimensional space in which a variety of writings, none of them original, blend and clash. The text is a tissue of quotations drawn from the innumerable centers of culture” 1 In all art form this is seen, the quotations that are on the canvas or paper. Styles are a form of being unoriginal. Post-Impressionism movement was the culture in the art world, it would be hard not to paint in the express of the culture that was happening during that time. Even Paul Signac influenced Vincent Van Gogh in pointillism. To the point where if The Sower and Place des Linces St.  Tropez paintings were put side to side to would be hard to decipher who is the painter. It is the focus of the painter that makes these paintings seem like they could never be the same.  The color palettes are close, the subject matter is everyday life and solitude. Not to downgrade Signac and Van Gogh and say they don’t know how to create an idea or that they are not masters of their skills. But focusing on the painter takes away the calmness of each painting and the comfort they bring to the viewer.

Authors need to be forgotten. The author’s intentions can easily be forgotten since it not about the author.  All context, all meaning, all intentions are in the reader or viewer’s power. The viewer is the one that has the emotional and intellectual connection to what they are seeing and participating in that shapes them as a person.  So why does it matter who said great artist steal because we know that all artist takes from one another?


























Barthes,Roland. “The Death of the Author,” 1967



Comments

  1. Hey Rachel, I can respect that you devalue the author, as I can see where it comes from. The work will always be the thing that catches the people’s eye, and not the person who created it. You did well to convey your thoughts in a way that’s easy to understand, good job this week and keep it up.

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  2. When you say that authors need to be forgotten do you mean that plagiarism shouldn't exist or that nothing should have any claim to it? I might agree to the plagiarism to an extent but as to the other it would be rather sad if someone did something just to be remembered in this world and then was erased from existence.

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  3. I understand where the sentiment of forgetting authors come from. Though I would argue that future authors don't come from pieces themselves, but rather the authors that inspired them. People who are interested in a piece become invested when they discover more about the author. Whether the art itself is considered good or not. For example, if someone creates a piece that is absolutely terrible, people are invested not in the piece itself, but how the terribleness of the piece came to be.

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  4. I still have a wish list of ideal guests for a dinner party. Douglas Adams, Quentin Crisp, Oscar Wilde Henri Marie Raymond de Toulouse-Lautrec-Monfaare they are all authors and artists that I admire for the unique imagination and style that they put into their work, because of their work I'd love to meet them, not to discuss their work, but just to see how their imaginations work and be entertained by their sharp wits. Long live the author ... even the dead ones.

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